The innermost coffin of Tutankhamun (c. 1323 BCE) features a return to the rigid posture, idealized features, and traditional symbols of power—such as the crook and flail and the nemes headdress—associated with traditional pharaonic representation. Following the stylistic innovations of the Amarna Period under Akhenaten, this return to the traditional Egyptian canon of proportions was primarily intended to achieve which of the following?
- Re-establish the political legitimacy of the dynasty by visually aligning the new reign with the traditional state religion and the authority of Amun.Answer
- BSignify a technological transition to advanced metal-casting techniques that could not support the fluid, curvilinear forms of the previous era.
- CAdopt stylistic conventions from neighboring Near Eastern empires to celebrate the signing of military peace treaties.
- DReflect a theological shift toward secular governance by separating the king's political power from divine attributes.
Answer
Re-establish the political legitimacy of the dynasty by visually aligning the new reign with the traditional state religion and the authority of Amun.
The correct answer is the option stating that the restoration of traditional stylistic conventions re-established the political legitimacy of the dynasty by visually aligning the new reign with the traditional state religion. Following the death of Akhenaten, who had abandoned the traditional pantheon in favor of the sun disk Aten, the young pharaoh Tutankhamun oversaw the restoration of the traditional religion of Amun. By returning to the rigid, idealized, and formal conventions of the traditional Egyptian canon of proportions, the royal workshops visually asserted the king's legitimacy, linking him directly to the long, stable history of pharaonic rule.
Step-by-Step Solution
Key Concept
Stylistic continuity and restoration in New Kingdom Egyptian art following the Amarna Period
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