Read the following lines from Percy Bysshe Shelley's sonnet "Ozymandias" (1818):
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.
In the context of the poem, how do the lineation and punctuation of the line "Nothing beside remains. Round the decay" function structurally and thematically?
- The placement of a full stop after "remains" creates an abrupt caesura that immediately undercuts the hubris of the preceding inscription.Answer
- BThe enjambment at the end of the line allows the speaker's description to run on without pause, suggesting the eternal continuation of the king's empire.
- CThe transition across the line break maintains a consistent tone of reverence for the colossal ruins and the ruler who built them.
- DThe line employs both caesura and enjambment to satisfy the strict structural requirements of a traditional Petrarchan sonnet's sestet.
- EThe pause after "remains" allows the poet to directly interject his own voice to mourn the inevitable fall of human civilizations.
Answer
The placement of a full stop after "remains" creates an abrupt caesura that immediately undercuts the hubris of the preceding inscription.
The correct option is correct because the placement of the full stop after "remains" creates a heavy, mid-line pause (caesura). This pause occurs immediately after the statement of absolute absence, directly following the grandiose proclamation of Ozymandias on the pedestal. By structurally halting the line, the poem deflates the king's boast, creating a sharp ironic contrast between his pride and the reality of his ruined empire.
Step-by-Step Solution
Key Concept
The use of caesura and lineation to create tonal shift and structural irony.