The following passage is an excerpt from John Donne's poem 'A Valediction: of Weeping' (1633).
1 Let me pour forth
2 My tears before thy face, whilst I stay here,
3 For thy face coins them, and thy stamp they bear,
4 And by this mintage they are something worth,
5 For thus they be
6 Pregnant of thee;
7 Fruits of much grief they are, emblems of more,
8 When a tear falls, that thou fall'st which it bore,
9 So thou and I in each other's sphere
10 As tears, which are things of nothing, do appear.
11 On a round ball
12 A workman that hath copies by, can lay
13 An Europe, Afric, and an Asia,
14 And quickly make that, which was nothing, All;
15 So doth each tear,
16 Which thee doth wear,
17 A globe, yea world, by that impression grow,
18 Till thy tears mix'd with mine do overflow
19 This world, by thee made more; thy heaven dissolved so.
In the transition from the first stanza (lines 1–10) to the second stanza (lines 11–19), the speaker's development of the conceit involving tears primarily serves to do which of the following?
- Acontrast a literal concern with financial transactional value in the first stanza with a scientific interest in global geography in the second
- Billustrate the poet’s personal shift from a period of domestic financial struggle to a time of ambitious overseas exploration
- Creplace a series of visual similes in the opening lines with a sequence of geographical hyperbole to demonstrate the speaker's technical virtuosity
- expand the conceit from a token of personal worth to a representation of a complete, shared universe that is vulnerable to destructionAnswer
- Ereinforce a static state of grief by showing how the speaker's emotional pain remains completely unchanged despite the shifting scale of the metaphors