Read the following passage carefully:
Eleanor adjusted the lace collar of her blouse, her fingers tracing the delicate pattern with a precision that bordered on the fanatical. In the drawing-room below, the murmur of voices rose and fell like a sluggish tide. They were talking of the drought, no doubt, or the disappointing yield of the orchards—topics that occupied the minds of those who lived entirely on the surface of things. Eleanor, however, felt herself suspended in a higher atmosphere. Her recent decision to decline Mr. Benson’s offer of marriage was not, as her sister Jane loudly insisted, a piece of sheer folly; it was a grand, silent assertion of her independence. She looked at her reflection in the gilded mirror, pleased with the quiet dignity of her expression. Of course, the fact that Mr. Benson had already begun to pay marked attention to the youngest Miss Thornton was irrelevant. It was merely a vulgar attempt on his part to mask his disappointment, a transparent game that she could easily see through. She turned away from the glass, her heart swelling with a serene, if somewhat chilly, satisfaction.
Which of the following best describes the narrator’s perspective on Eleanor?
- AAn authorial persona who uses Eleanor to advocate for women's social and financial independence in the early twentieth century
- BA first-person observer who sympathetically validates Eleanor's desire to remain unmarried
- A third-person limited voice that exposes Eleanor's underlying insecurity and self-deception through her rationalizationsAnswer
- DA neutral third-person voice that objectively reports Eleanor's superior intellect and justified rejection of Mr. Benson
- EA narrator who chronologically details the timeline of Mr. Benson’s courtship of Miss Thornton to explain Eleanor's anger