Read the following excerpt from Dylan Thomas’s villanelle "Do not go gentle into that good night" (1951) carefully:
[1] Do not go gentle into that good night,
[2] Old age should burn and rave at close of day;
[3] Rage, rage against the dying of the light.
[4] Though wise men at their end know dark is right,
[5] Because their words had forked no lightning they
[6] Do not go gentle into that good night.
[7] Good men, the last wave by, crying how bright
[8] Their frail deeds might have danced in a green bay,
[9] Rage, rage against the dying of the light.
In the second stanza (lines 4–6), how does the enjambment at the end of line 5 ("they") contribute to the meaning of the passage?
- It creates a syntactic suspension that delays the subject's action, thereby heightening the focus on the resolve expressed in the repeating refrain.Answer
- BIt forces a terminal pause at the end of the line to establish a clear structural boundary between the condition of the wise men and the command of the speaker.
- CIt illustrates the poet's autobiographical struggle with fatherly mortality, transforming the speaker's advice into personal confession.
- DIt serves as a caesura to interrupt the poem's meter, showing that the poet prefers syntactic disorder over traditional closed form rules.
- EIt presents a literal description of how natural phenomena like lightning storm sequences cause the men to seek shelter.
Answer
The enjambment at the end of line 5 creates a syntactic suspension that delays the subject's action, thereby heightening the focus on the resolve expressed in the repeating refrain.
The correct answer is correct because the enjambment at the end of line 5 carries the subject ('they') across the line break into the refrain of line 6 without pause. This creates a moment of grammatical suspension that builds anticipation and links the wise men directly to the active resistance commanded in the refrain.
Step-by-Step Solution
Key Concept
The function of enjambment and structural lineation in a closed poetic form