Read the passage carefully:
For forty years, Thomas had lived in the drafty stone cottage at the edge of the cliffs, drawing maps of the coastline using the same brass calipers and ink formula his father had passed down. The new railway line had cut through the valley, bringing tourists, summer homes, and a modern survey crew with their optical levels and glossy printed charts. Yesterday, the young surveyor had knocked on his door, presenting a map that showed the shoreline had receded by fifty yards over the last decade, rendering Thomas's drawings inaccurate. Thomas did not look at the surveyor's map. He merely set his tea down on the wooden table, wiped a speck of dust from his calipers, and returned to tracing the contours of the cliff exactly as he had done the morning before. When the surveyor spoke of the shifting tides and crumbling shale, Thomas waved his hand dismissively. 'The cliffs have stood for a thousand years,' he muttered, his eyes fixed on the ink drying on his parchment. 'A little water does not change the shape of the world.'
Thomas’s refusal to look at the surveyor's map and his decision to return to his tracing primarily serve to emphasize which of the following?
- Thomas's stubborn refusal to accept the reality of a changing landscapeAnswer
- BThe author's personal view that modern mapmaking methods are less artistic than traditional techniques
- CThe physical sequence of tasks Thomas performs to complete a map for the railway company
- DA moral conflict where Thomas represents pure goodness and the young surveyor represents absolute greed
- EThe accuracy of Thomas's claim that the shoreline has not actually shifted