Read the poem "No Second Troy" (1910) by William Butler Yeats:
Why should I blame her that she filled my days
With misery, or that she would of late
Have taught to ignorant men most violent ways,
Or hurled the little streets upon the great,
Had they but courage equal to desire?
What could have made her peaceful with a mind
That nobleness made simple as a fire,
With beauty like a tightened bow, a kind
That is not natural in an age like this,
Being high and solitary and most stern?
Why, what could she have done, being what she is?
Was there another Troy for her to burn?
In the context of the poem as a whole, the allusion in the final line ("Was there another Troy for her to burn?") primarily serves to do which of the following?
- Frame the woman's destructive capacity as a mythic inevitability, suggesting that her grand nature cannot be accommodated by the modern eraAnswer
- BCondemn the woman as a malicious figure who deliberately seeks the physical ruin of her society out of personal spite
- CIdentify the classical source of the allusion to define the poem's structural division between historical fact and mythological fiction
- DExpress the poet's own personal frustration with the specific political failures of the Irish nationalist leadership during his lifetime
- ESummarize the events of the Trojan War to provide a cautionary tale about how pride leads to the downfall of empires
Answer
The allusion in the final line serves to frame the woman's destructive capacity as a mythic inevitability, suggesting that her grand nature cannot be accommodated by the modern era.
The correct answer is the option that identifies the allusion's purpose as framing the woman's destructive capacity as a mythic inevitability. By comparing her to Helen of Troy and asking if there was another Troy for her to burn, the speaker suggests that her disruptive nature is a natural, heroic attribute that simply has no appropriate or constructive outlet in the modern world.
Step-by-Step Solution
Key Concept
Analyzing how an allusion functions within a poem's thematic structure to shape tone and characterization rather than simply identifying its source.