Read the following passage carefully before choosing your answer:
*The gallery was suffocatingly warm, smelling of damp wool and expensive coal smoke. Margaret kept her eyes fixed on the canvas before her—a study of grey cliffs under a low, leaden sky—deliberately ignoring the low murmur of voices behind her. Just three years ago, she had stood on those very cliffs, the wind whipping salt spray into her face while Thomas argued that art was nothing but a polite retreat from life. She had laughed then, confident in her youth and the bright promise of her paints. Now, the quiet, measured voice of a critic nearby, praising the 'restraint' of the brushwork, sounded like a final verdict. She reached into her pocket, her fingers closing around the folded gallery catalog. Her decision had been made before she even crossed the threshold today, yet the memory of the cliffs remained like an unresolved chord, rendering the polite applause around her entirely hollow. She turned away from the painting, her gaze dropping to the floorboards, ready to step out into the rain.*
In the passage, how does the transition from Margaret's immediate surroundings in the gallery to her memory of the cliffs affect the development of the plot?
- AIt offers a chronological explanation of how Margaret moved from sketching cliffs to exhibiting her work at the gallery.
- BIt emphasizes the literal transition from a stormy seaside cliff to a warm, soot-filled gallery to explain Margaret's physical discomfort.
- It establishes a contrast between Margaret’s past passion and her present disillusionment, illuminating the motivation behind her decision to depart.Answer
- DIt represents the author’s philosophical view that art is merely a decorative escape from real-world struggles.
- EIt portrays a simplistic conflict between Margaret and Thomas to demonstrate that Margaret has successfully proven him wrong.