Read the following passage from a short story:
"For forty years, Martha inhabited the conservation room of the historical society, a subterranean vault where the air was thick with the scent of lavender and decaying silk. To her, the garments hung in the cedar wardrobes were not mere relics of fashion, but a silent congregation of souls awaiting a resurrection that only her needle could perform. She treated each frayed hem and detached button with the solemnity of a high priestess tending an altar. When the board of directors proposed digitizing the collection and dispersing the physical archives, Martha felt as though a barbarian horde was at the gates of her sanctuary. She defended the fragile lace of a Victorian wedding gown as if it were a sacred relic under siege. To view these pieces through a screen, she argued, was to dip them into the waters of Lethe, washing away the lived sweat and perfume of the dead to leave only a clean, sterile outline."
In the final sentence, the allusion to the "waters of Lethe" primarily serves to do which of the following?
- Asummarize the board's procedural transition from physical storage to a new digital repository
- Bsuggest that the board of directors' proposal is motivated by a desire to cover up historical inaccuracies in the archive
- characterize the digital cataloging process as an act of erasure that strips the garments of their tangible, human pastAnswer
- Dreveal the author’s philosophical opposition to any form of technological progress in modern society
- Elabel the reference as a classical allusion to Greek mythology in order to establish Martha's formal educational background