Read the following passage carefully before choosing your answer:
Lawrence spent three years drafting the plans for the new civic library, refining every archway and column with a devotion that bordered on the religious. To his colleagues, it was merely concrete and steel, a functional space to house administrative offices and bookshelves. But to Lawrence, the blueprint was a living entity waiting to breathe. On the eve of the groundbreaking ceremony, he stood before the scale model in the empty gallery, gently polishing the miniature glass dome with his handkerchief. He spoke to the structure in hushed, pleading tones, half-expecting the plaster columns to soften into flesh and the tiny doors to swing open of their own accord. His assistant, observing from the doorway, sighed and remarked that Lawrence was looking for his Galatea in a block of modern drywall. Indeed, as the first bulldozers roared to life the following morning, Lawrence felt not the triumph of a creator, but the cold dread of a man who had breathed his own soul into an object that could never love him back.
In the context of the passage, the assistant's allusion to Galatea primarily serves to do which of the following?
- Asuggest that Lawrence's design will eventually be recognized as an artistic masterpiece that transforms the community
- Bcritique the aesthetic limitations of modern building materials like drywall compared to classical stone
- characterize Lawrence's relationship with his architectural design as an obsessive and unrealistic pursuit of life from the inanimateAnswer
- Ddemonstrate the assistant's resentment toward Lawrence's superior creative talent and artistic dedication
- Eforeshadow the eventual physical collapse of the library due to Lawrence's neglect of practical engineering principles