(1) The veranda of the coastal house projected over the cliffside like an
(2) unfinished thought, its pine floorboards silvered by salt and warped by
(3) decades of damp wind. Marianne stood by the railing, her fingers tracing
(4) the deep, splintered fissures in the wood where the white paint had long
(5) since surrendered to the gray under-skin. Below, the tide was retreating,
(6) leaving behind a vast expanse of dark mudflats that shimmered with a dull,
(7) metallic sheen under the overcast sky. A few stranded kelp pods lay swollen
(8) and rotting in the brackish pools, their bladders occasionally popping under
(9) the weight of scavenging gulls. The air carried the heavy, sulfurous odor
(10) of decaying marsh-grass, a smell that seemed to settle in the throat and
(11) stifle the breath. From the dining room behind her came the dry, rhythmic
(12) click of her father’s pocket watch—a sound that, rather than marking the
(13) passage of hours, seemed to lock the entire afternoon into an immovable,
(14) amber-like suspension.
Which of the following best describes the narrative function of the veranda and the surrounding coastal environment (lines 1-11)?
- Arepresent the physical obstacles Marianne must overcome in order to escape her family's remote estate
- externalize Marianne’s internal sense of paralysis and the decaying, stagnant reality of her family's circumstancesAnswer
- Cchronicle the environmental changes occurring along the coastline to emphasize the passage of time
- Dconvey the author's moral condemnation of the father's neglect of the family's physical property
- Esuggest that a sudden ecological shift will disrupt the emotional distance between Marianne and her father