Read the following passage carefully:
From the third-floor balcony, Elena watched the morning market assemble, the vendor stalls unfurling like canvas sails in the early light. The shouts of the fishmongers and the sharp scent of crushed mint rose through the damp air, reaching her as mere echoes of a world she had no desire to enter. She adjusted her woolen shawl, pulling it tight against the chill, and observed the small, bustling figure of her cousin, Maria, bartering fiercely over a basket of figs. To Elena, Maria’s frantic gestures appeared absurd, a silent puppet show played out on a dusty stage. Why did they all strive so, she wondered, as if the purchase of fruit or the exchange of coins could fill the quiet, hollow space that the winter had left behind? Her perspective remained aloft, suspended between the grey slate roofs and the cobblestones, seeing everything but touching nothing. She felt a cold pride in this isolation, a sense that she was the only true observer in a town of sleepwalkers, though a small, persistent ache in her chest suggested a different, quieter truth.
Which of the following best describes the literary function of the narrative distance established in the passage?
- AIt reflects the author's personal disdain for the commercialism and superficiality of rural market towns.
- BIt provides a strictly objective, journalistic account of the morning market activities and Maria's transaction.
- It underscores Elena's emotional estrangement from the townspeople while subtly revealing her internal loneliness.Answer
- DIt serves to outline the chronological steps of Maria’s purchase to establish the plot's primary conflict.
- EIt exposes Elena as an unreliable narrator whose biased description of Maria's bartering is intended to mislead the reader about Maria's character.