The grim, beetle-browed Puritan crowd stood assembled, staring at the scaffold. Hester Prynne stood on the platform of the pillory, holding the infant to her breast. But as she stood there, the scene before her eyes seemed to vanish. In its place, she saw her father's face, with its bald brow and reverend white beard; her mother's, too, with the look of heedful and anxious love. She saw her own face, glowing with girlish beauty, illuminating the interior of a dusky mirror. And then, she beheld another countenance—a scholar-like visage, pale and thin, with eyes dim and bleared by the lamp-light. With a sudden start, the image of the stony streets, the crowd of unsympathizing faces, and the scaffold of the pillory, an actual reality, came back to her, and she pressed the infant close to her bosom.
In this passage, the narrator temporarily suspends the chronological progression of the scene on the scaffold to describe Hester's memories of her past. Which of the following best describes the primary structural function of this shift in sequencing?
- AIt summarizes the chronological events of Hester's early life up to her arrival in the colony.
- BIt demonstrates that Hester's current conflict is a simple, direct result of her rebelling against her parents' values.
- It heightens the dramatic tension of the present moment by juxtaposing Hester's past life of domestic security with the harsh reality of her public exposure on the scaffold.Answer
- DIt serves as a dramatic soliloquy that allows Hester to speak directly to the assembly and justify her actions.
- EIt signals that Hester has become confused about the order of events in her life, failing to distinguish between memory and reality.