Read the passage carefully and answer the question that follows.
The carriage rolled past the iron gates of Hatherley, and Eleanor felt the immediate, cold pressure of the gray stone walls pressing down upon her spirits. It was not that she feared her uncle; rather, she despised the quiet, methodical way he dismantled the lives of those around him, like an antiquarian cataloging dried specimens. The narrator of her own misfortunes, she had resolved to play the stoic, yet the sight of the ivy-choked towers shook her resolve. Beside her, Mr. Pendelton remained engrossed in his ledger, his pencil scratching a relentless rhythm that seemed to count down the remaining moments of her independence. He did not look up when she sighed, nor did he offer the small, expected courtesies that a journey of such gravity demanded. To Pendelton, Eleanor was merely a transfer of custody, a ledger entry to be balanced and signed. She watched the rain begin to smear the glass, blurring the landscape into a smudge of charcoal and slate. She wondered if the house itself possessed some latent malice, or if it was merely the shadow of her uncle's presence that darkened the very grass. Inside the great hall, the silence was absolute, a heavy, velvet thing that swallowed their footsteps and left them standing like intruders in a museum of dead ambitions.
Which of the following best describes the relationship between the narrator and Eleanor’s consciousness in the passage?
- AThe narrator remains strictly objective, presenting Eleanor’s feelings solely through her external actions and the setting.
- The narrator closely aligns with Eleanor’s consciousness, blending her internal anxieties with descriptions of the external environment and companions.Answer
- CThe narrator functions as an omniscient voice that directly criticizes the social expectations that place Eleanor in a position of dependence.
- DThe narrator provides a naive, unquestioning account of the journey, failing to recognize the hostility of the setting or Eleanor's uncle.
- EThe narrator presents a simple timeline of the journey to Hatherley, focusing primarily on the chronological sequence of events rather than character psychology.