Read the following passage carefully:
Margaret watched the newcomers from the landing, her hands folded neatly over the banister. How effortlessly they wore their city manners, like garments bought in a shop that morning and destined to be discarded before dusk. There was a performance in the way the younger girl, Florence, tilted her parasol—a calculated angle meant to catch the afternoon sun, or perhaps the eye of someone standing exactly where Margaret stood. How typical of Florence to assume the world was an auditorium constructed solely for her reception. Margaret, of course, was merely an observer, entirely detached from the vanity of their arrivals. She had no interest in the trunk being hauled up the gravel path, nor in the silver monogram that glinted from its leather corner. It was a vulgar display, really, this insistence on bringing the city's heavy luggage into a house that had managed perfectly well with simple pine. When Margaret finally descended to greet them, her smile was as cool and correct as the marble tiles beneath her feet, a silent assertion that she remained untouched by their noisy intrusion.
Which of the following best describes the narrative perspective of the passage?
- AA first-person participant perspective that allows Margaret to directly justify her resentment toward the visitors.
- BA third-person omniscient perspective that objectively balances Margaret's inner thoughts with the visitors' actual motivations.
- A third-person limited perspective that closely aligns with Margaret's thoughts, revealing her critical attitude while exposing her underlying preoccupation with the visitors.Answer
- DA third-person limited perspective that uncritically reinforces Margaret's claims of moral superiority and emotional detachment.
- EA third-person objective perspective that documents Margaret's outer behavior without revealing her internal judgments.