Read the passage carefully.
Margaret adjusted the cuffs of her visiting gown, her gaze tracing the faded floral pattern of the parlor carpet rather than meeting her hostess's eyes. Mrs. Vance was speaking of her son's prospects in the shipping firm with a high, fluting enthusiasm that demanded polite assent, and Margaret nodded at the prescribed intervals, her smile fixed and perfect. In her pocket, however, Margaret’s fingers pressed against the rough, unsmoothed edge of the wooden chess piece she had taken from her brother’s study before leaving. It was a simple knight, carved crudely from pine, lacking the polished finish of Mrs. Vance’s imported ivory set on the table nearby, yet its sharp angles felt like a solid anchor. To Margaret, the parlor’s warm air, thick with the scent of dried lavender and boiled tea, felt entirely insubstantial, a theatrical set that might be folded away at any moment, leaving only the cold wind of the docks and the reality of the unfinished game waiting for her at home.
Based on the passage, Margaret’s physical interaction with the pine chess piece in her pocket primarily serves to reveal a contrast between which of the following?
- AHer sibling rivalry with her brother and her desire to establish her independence
- Her outward compliance with polite social expectations and her inward detachment from the immediate environmentAnswer
- CHer longing to work in the shipping industry and her resentment of domestic visits
- DHer appreciation for simple rustic objects and her jealousy of Mrs. Vance's fine possessions
- EHer acceptance of her family’s superior social standing and her discomfort with Mrs. Vance's success