Personification and Anthropomorphism
16 questions
Read the following lines from Emily Dickinson's poem "The Sky is low – the Clouds are mean" (1890):
The Sky is low – the Clouds are mean –
A Travelling Flake of Snow
Across a Barn or through a Rut
Debates if it will go –
A Narrow Wind complains all Day
How some one treated him
Nature, like Us is sometimes caught
Without her Diadem –
In the second stanza, the personification of the wind and Nature serves primarily to accomplish which of the following?
Frost at Midnight (1798)
The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud—and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
In the excerpt above, the speaker characterizes the frost as performing a "secret ministry." What is the primary thematic effect of this personification?
Read the following poem by Emily Dickinson (1890):
The morns are meeker than they were—
The nuts are getting brown—
The berry's cheek is plumper—
The Rose is out of town.
The Maple wears a gayer scarf—
The Field a scarlet gown—
Lest I should be old-fashioned,
I'll put a trinket on.
In the first stanza of the poem, how does the speaker use personification to depict the transition of the seasons?
Read the following lines from Thomas Hardy's poem "The Darkling Thrush" (1901):
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
Which of the following best describes the function of the speaker's personification of the landscape and the passing century?
Read the following poem by Emily Dickinson (1830–1886):
Apparently with no surprise
To any happy Flower
The Frost beheads it at its play—
In accidental power—
The blonde Assassin passes on—
The Sun proceeds unmoved
To measure off another Day
For an Approving God.
Which of the following best describes the thematic function of personifying the frost and the sun in the poem?
Read Alfred, Lord Tennyson’s poem "The Eagle" (1851):
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
In the second stanza, the personification of the sea ("The wrinkled sea beneath him crawls") primarily serves to do which of the following?
Read the following lines from Robert Frost's poem "Storm Fear" (1913):
"When the wind works against us in the dark,
And whispers, 'You can't get out!'
And the strength of the cold is at our throat,
It is no play of the mind to say what cold does,
But the giant goes by, a-wing and a-foot,"
In the passage, the personification of the wind and the cold serves primarily to achieve which of the following effects?
Read the following lines from W. H. Auden’s poem "As I Walked Out One Evening" (1937):
In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.
In the passage, the personification of Time as an observer who 'watches from the shadow' and 'coughs when you would kiss' primarily serves to do which of the following?
Read the following lines from Sylvia Plath's poem "Mirror" (1961):
I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful—
The eye of a little god, four-cornered.
In the context of these lines, the personification of the mirror as an entity that 'swallows' and is 'unmisted by love or dislike' serves primarily to do which of the following?
Read the following lines from Percy Bysshe Shelley's poem "The Cloud" (1820):
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.
In these lines, how does the speaker’s personification of the cloud primarily function to convey the relationship between nature and the world below?
Read the following lines from John Keats’s poem "Ode on Melancholy" (1819):
She dwells with Beauty—Beauty that must die;
And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
Veil'd Melancholy has her sovran shrine,
In the passage, how does the personification of "Beauty," "Joy," and "Pleasure" function to develop the speaker's main theme?
Read the following lines from William Wordsworth's poem "I Wandered Lonely as a Cloud" (1807):
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
Which of the following best describes the primary function of personifying the daffodils and the waves in this passage?
Read the following lines from William Blake’s poem "To Autumn" (1783):
O Autumn, laden with fruit, and stain'd
With the blood of the grape, pass not our gates;
But stay beneath our shady bower, that we
May read to thee, and sing thy gentle praise.
Here, sit thee down, and in our longing ears
Tune thy jolly voice, and let us hear thee sing;
In the passage, the speaker’s personification of Autumn primarily serves to achieve which of the following effects?
Read the following lines from Emily Dickinson's poem "The Moon was but a Chin of Gold":
The Moon was but a Chin of Gold
A Night or two ago—
And now she turns her perfect Face
Upon the World below—
In the stanza, the personification of the moon primarily serves to do which of the following?
Read the following lines from Henry Wadsworth Longfellow's poem 'The Tide Rises, the Tide Falls' (1880):
Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.
Which of the following best describes the function of the personification in the line 'The little waves, with their soft, white hands'?
Read the following poem by Christina Rossetti (1872):
Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.
Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.
In the second stanza, the phrase 'the trees bow down their heads' functions primarily to do which of the following?