Read the following passage:
Don Tomás adjusted his spectacles and looked at the rows of unfinished ceramic tiles drying on the wooden shelves. To him, each piece represented a quiet dialogue between the clay of Puebla and the patient hands that shaped it, a tradition unaltered for generations. He turned to Camila, who was eagerly sketching a geometric pattern on a digital tablet. 'The clay has its own rhythm, Camila,' he said softly, pointing to the electric kiln she had proposed installing. 'A machine cannot feel the heat of the fire or know when the clay is ready to breathe.' Camila looked up, her eyes bright with the prospect of change. 'But Uncle,' she replied, gesturing to her sketches, 'if we do not adapt, our workshop will become a museum. The new kiln will allow us to experiment with vibrant, contemporary glazes that speak to a new generation, keeping our family's heritage alive rather than frozen in time.' Don Tomás sighed, feeling the weight of the years in the room, while Camila turned back to her screen, her fingers tracing lines of a future he could barely envision.
Based on the passage, which of the following best describes the contrast between Don Tomás’s and Camila’s perspectives on the workshop's heritage?
- ADon Tomás is worried about the financial risk of buying new equipment, while Camila seeks to maximize profits by mass-producing pottery.
- Don Tomás believes that preserving the heritage requires adhering strictly to traditional, manual methods, while Camila argues that the heritage must adapt with modern techniques to survive.Answer
- CDon Tomás resents Camila's reliance on technology, while Camila feels restricted by her uncle's authority and seeks to establish her own independent studio.
- DDon Tomás intends to convert the pottery workshop into a history museum, while Camila wants to expand the physical space of the workshop to attract tourists.