Read the following excerpt from Miguel de Unamuno's *Saint Manuel the Good, Martyr* (San Manuel Bueno, mártir):
"I must confess that, from the moment our Saint began to speak to us, his voice entered my soul and took possession of it. He was not one of those preachers who seek to terrify their congregation with the fires of hell, nor did he lose himself in abstract theological debates that only serve to confuse the simple hearts of our villagers. Rather, his words were like a gentle rain falling upon a parched field, bringing comfort to the weary and hope to the disconsolate. Yet, as I observed him closely during the silent moments of the liturgy—when he believed no one was watching—I noticed a profound and unfathomable sadness in his eyes, a shadow that seemed to contradict the very hope he so passionately offered to others. It was as if he carried a heavy secret, a burden of doubt that he chose to bear alone so that we might walk in the light of an untroubled faith."
Based on the passage, what is the author's primary purpose in employing a first-person narrator who observes the protagonist's silent grief?
- To highlight the tension between the protagonist's public role as a source of hope and the narrator's recognition of his internal existential tormentAnswer
- BTo reveal that the priest is a deceptive manipulator whose outward benevolence is merely a calculated performance to control the villagers
- CTo show that the narrator intends to actively confront the priest and force him to abandon his pastoral duties
- DTo create a lighthearted and satirical atmosphere that mocks the religious devotion of the rural village