Jane’s bobbed hair is a permanent wave. Her dress is simple, sleeveless, and short, barely covering her knees. She wears no corset, and her flesh-colored stockings are rolled down. She uses lipstick, powder, and rouge, and does so in public without the slightest embarrassment. Jane is not a bad girl; she is simply a new kind of girl. She is the direct product of a rapidly changing economic and social landscape that has given young women more financial independence and personal freedom than any generation before them. Yet to her parents and the guardians of traditional culture, Jane’s behavior represents a terrifying break from established morality, threatening the very foundations of the American family structure.
— Bruce Bliven, "Flapper Jane," *The New Republic*, 1925
Which of the following historical developments of the 1920s most directly contributed to the societal debate described in the passage?
- The growth of an urban consumer culture that offered new economic opportunities and social independence for women.Answer
- BThe rise of agrarian political mobilization protesting the gold standard and calling for government ownership of railroads.
- CThe transition of female labor from domestic handicraft production to the early New England textile mill system.
- DThe total withdrawal of the United States from international trade and diplomatic treaties to maintain absolute isolationism.