Read the excerpt below from Wole Soyinka's prescribed African drama, Death and the King's Horseman:
"PRAISE-SINGER: They love to meander. Praise-singers the world over have no place for short cuts... The horseman of the King does not turn back to view the city he has left behind."
In the context of the play, what is the primary dramatic function of the Praise-Singer's utterances to Elesin Oba in this scene?
- To reinforce Elesin's ritual obligation while subtly probing his lingering earthly attachmentsAnswer
- BTo express private inner thoughts directly to the audience without other characters hearing
- CTo mock Elesin's hubris and celebrate his eventual refusal to perform the ritual suicide
- DTo signal that the colonial administration has already halted the ancestral ceremony
Answer
The primary dramatic function of the Praise-Singer's utterances is to reinforce Elesin's ritual obligation while subtly probing his lingering earthly attachments.
The Praise-Singer serves as a vital ceremonial figure in Wole Soyinka's Death and the King's Horseman. His dialogue during the opening act serves to spur Elesin Oba toward fulfilling his ancestral mandate of ritual suicide while gently warning him that looking back—symbolizing attachment to physical pleasures—endangers the spiritual balance of the community.
Step-by-Step Solution
Key Concept
Dramatic dialogue and character function in prescribed African drama