Read the following extract from Oliver Goldsmith's prescribed Non-African drama, *She Stoops to Conquer*, and answer the question that follows:
"HARDCASTLE: He has taken possession of my easy-chair already. He's in the right of it, to make himself at home. [...] This may be modern modesty, but I never saw anything look so like old-fashioned impudence."
Which dramatic situation accounts for Mr. Hardcastle's perception of Young Marlow's conduct as 'old-fashioned impudence'?
- AYoung Marlow is attempting to conceal his true aristocratic identity from Mr. Hardcastle out of fear of social rejection.
- Young Marlow is unaware that Mr. Hardcastle is his host and intended father-in-law, believing instead that the house is a public inn due to Tony Lumpkin's trick.Answer
- CYoung Marlow is deliberately provoking Mr. Hardcastle to test whether his prospective father-in-law has a forgiving temperament.
- DMr. Hardcastle misinterprets Marlow's natural bashfulness around modest women as an overt display of arrogant superiority.
Answer
Young Marlow is unaware that Mr. Hardcastle is his host and intended father-in-law, believing instead that the house is a public inn due to Tony Lumpkin's trick.
The correct answer accurately identifies the central plot premise of Oliver Goldsmith's *She Stoops to Conquer*. Tony Lumpkin directs Young Marlow and Hastings to Mr. Hardcastle's house under the pretense that it is an inn. Because Marlow believes he is dealing with an innkeeper rather than his host and future father-in-law, his familiar and demanding actions appear to Mr. Hardcastle as rude and impudent.
Step-by-Step Solution
Key Concept
Mistaken identity and dramatic irony caused by deception in classical Non-African comedy of manners
Estimated Time:1m 15s