At the 1889 Paris Exposition, composer Claude Debussy encountered Javanese gamelan music, an experience that profoundly shifted his approach to musical architecture. Prior to this encounter, Western classical composition relied heavily on functional harmony and teleological development, where music builds toward a goal. Gamelan, with its cyclical structures and static pitch centers, offered Debussy an alternative model of temporal organization. Inspired by these non-Western scales, he began to integrate pentatonic and whole-tone scales into his compositions, as seen in his piece 'Pagodes.' This transition allowed him to evoke atmospheric moods rather than narrative progression, thereby laying the groundwork for musical Impressionism.
Which choice best describes the function of the underlined sentence in the text as a whole?
- AIt summarizes the ultimate artistic transformation that Debussy achieved by integrating pentatonic scales into his work, as described at the end of the passage.
- BIt explains why Western classical composers prior to Debussy had preferred to use static pitch centers rather than goal-oriented structures.
- It explains the specific structural characteristics of Javanese gamelan music that offered an alternative to the traditional Western composition methods mentioned in the preceding sentence.Answer
- DIt suggests that Debussy believed Javanese gamelan music was aesthetically superior to the functional harmony of Western classical music.