Text 1
Historian Evelyn Vance argues that museum exhibitions of ancient classical sculptures must prioritize reconstructing their original, vibrant polychromy. Vance asserts that presenting these marble works in their current weathered, monochrome state fundamentally misrepresents the artists' initial intentions. According to Vance, leaving sculptures uncolored deprives modern viewers of the true aesthetic context of Greek and Roman art, reinforcing a false historical narrative.
Text 2
Art conservator Marcus Thorne maintains that attempting to physically repaint ancient sculptures based on chemical analysis of trace pigments is highly problematic. Thorne contends that applying modern paints risks causing irreversible damage to the underlying stone. Furthermore, because the exact historical binding agents and application techniques remain unknown, any colored physical reconstruction is ultimately a speculative projection of modern tastes rather than a restoration of historical reality.
Based on the texts, how would Marcus Thorne (Text 2) most likely respond to Evelyn Vance's proposal (Text 1)?
- By arguing that the restoration process could harm the physical artifacts and would rely too much on conjecture.Answer
- BBy agreeing that monochrome sculptures misrepresent the past but claiming that museums should focus on digital rather than physical restoration.
- CBy asserting that Greek and Roman artists actually intended for the paint to wear away over time.
- DBy denying that ancient classical sculptures were ever originally painted in vibrant colors.