Theresa Geller's approach to choreographing historical dances was marked by an unyielding fidelity to archival descriptions, a characteristic that contemporary reviewers often criticized as excessively literal. While her peers felt free to interpolate modern movements to appeal to contemporary audiences, Geller refused to alter even the minor gestures documented in Renaissance court manuals. She was notoriously impatient with dancers who prioritized expressive fluidity over structural accuracy, once remarking that personal style was merely a mask for technical imprecision. However, in her private journals, she expressed a profound exhaustion with the rigidity she imposed on her company, admitting that her strict adherence to historical records felt more like a self-inflicted prison than an artistic choice.
Based on the passage, how did Geller privately characterize her own strict adherence to historical records?
- AAs a useful tool to disguise the technical flaws of her dancers
- BAs a means of encouraging her dancers to develop their personal style
- As a confining restriction rather than a creative choiceCevap
- DAs a liberating method that freed her from the expectations of reviewers