Read the passage below:
For over three centuries, the astronomical clock of the Old Town Hall had served as the mechanical heartbeat of the city. Scholars of medieval engineering often marvel at the intricate coordination of its dial wheels, which tracked not only the hour but also the positions of the sun and moon against the zodiac. To the modern observer, the clock represents a triumph of communal effort, a public monument designed to make the cosmic order visible to the average citizen.
But as Caleb adjusted the escapement on that chilly November evening in 1704, the grand symbolism of the town square receded. His world contracted to the microscopic friction between brass teeth and steel pallets. He did not think of cosmic harmony; he thought of his daughter’s failing health and the single gold coin the city council had promised upon the project's completion. Each swing of the pendulum was not a measurement of celestial motion, but a countdown of the precious hours he had left to save her.
The shift in point of view from the first paragraph to the second paragraph can best be described as a transition from:
- Aa first-person historical account of Prague's architecture to a third-person limited description of Caleb's technical precision.
- Ban objective explanation of clock mechanics to Caleb's subjective defense of his craftsmanship to the city council.
- a broad, historical perspective on a public monument to an intimate, limited perspective focusing on an individual's personal struggles.Cevap
- DCaleb’s internal reflections on the passage of time to a narrator's objective description of the astronomical clock's design.