Read the following passage carefully before choosing the best answer.
For years, Clara had viewed the estate at Oakhaven not merely as her home, but as the very anchor of her moral universe. She had believed that the structured dignity of its halls, the quiet compliance of the tenantry, and the steady, predictable rhythms of her father’s household represented the natural order of human life. Indeed, she had often pitied those whose lives were spent in the chaotic dust of the manufacturing towns, viewing their struggles as a consequence of their own internal disorder. But standing now in the cramped parlor of the weaver's cottage in Coketown, surrounded by the metallic clangor of the nearby mills and the silent, expectant gaze of the weaver’s daughter, Clara felt the foundation of her convictions give way. It was not that she suddenly found the poverty beautiful or the noise harmonious; rather, it was the realization that the dignity she had assumed to be a product of Oakhaven’s quietude was here maintained in the teeth of absolute precarity. The girl before her did not look for pity, nor did she exhibit the servile gratitude Clara had been trained to expect from the lower orders. In the quiet precision with which the girl set down her spinning and offered her guest a cracked teacup, Clara recognized a self-possession that owed nothing to ancestral portraits or manicured lawns. She looked down at her own gloved hands, which now seemed to her not symbols of refined grace, but of a profound, sheltered helplessness.
Clara's interaction with the weaver's daughter and her subsequent reflection in the parlor primarily serve to illustrate which of the following shifts in her character development?
- AA sudden adoption of radical political views that directly oppose her father's traditional beliefs
- BA growing sense of resentment toward the weaver's daughter for failing to show the deference Clara expects
- A transition from measuring moral dignity by the standards of her privileged environment to recognizing a strength of character independent of social stationCevap
- DA sentimental desire to escape the confines of Oakhaven by adopting the lifestyle of the manufacturing class
- EA realization that the hardships of Coketown are the direct result of the moral failures of the working class