Read the following passage carefully:
Evelyn spoke of her 'charitable works' with a soft, descending cadence that suggested a heavy cross borne in secret. I watched her arrange the woolen shawls in the trunk, each fold executed with the mathematical precision of a tax assessor rather than the warmth of a benefactor. The village called her a saint, and she did nothing to correct their vocabulary, though she was always careful to sigh when the title was mentioned, as if the weight of their praise were the heaviest burden of all. Behind her, the grandfather clock ticked with a dry, mechanical rhythm that seemed to echo her own measured movements. To those who visited the parlor only on Sunday afternoons, Evelyn was a beacon of grace; to those of us who lived within the drafty radius of her daily economy, she was a ledger that never balanced in anyone else's favor. Yet, one could not deny the efficiency of her distribution; the poor were indeed clothed, even if the wool she chose was of the coarsest, most prickling sort.
Which of the following best describes the narrator's perspective on Evelyn?
- AA third-person omniscient perspective that highlights Evelyn’s inner saintliness through the mechanical order of her home
- A first-person perspective that combines grudging acknowledgment of Evelyn’s efficiency with sharp irony toward her performative humilityCevap
- CA first-person perspective that naively endorses Evelyn's reputation as a saintly benefactor of the village
- DA first-person perspective that focuses strictly on a literal description of Evelyn’s physical environment and the cold temperature of her parlor
- EAn authorial perspective that directly intervenes to expose and condemn the broader social hypocrisy of village charity