Soru

Read the following passage carefully:

"Samuel lifted the glass lid of the archival display, his breath caught in his throat. The parchment before him was dry, yellowed, and infinitely fragile. Outside the high arched windows of the reading room, the city of London moved in a blur of red buses and quick umbrellas, a modern tempo that Samuel usually ignored. But inside, time was measured not by hours, but by the slow, deliberate decay of ink. He reached for the tweezers. The simple act of extending his arm felt elongated, his muscles protesting the minute precision required. One centimeter. Two. The silence of the room grew heavy, magnifying the rustle of a page turned by a researcher three desks away until it sounded like a sudden rush of wings. Ten minutes ago, the archivist-in-chief had given him the key; ten minutes that felt both like a fleeting second and a lifetime of anticipation. As the metal tip of the tweezers finally hovered over the edge of the 18th-century letter, Samuel's mind slipped back to the morning he had first discovered the collection, the thrill of the dust, the rapid beating of his heart. A sharp cough from the doorway broke his reverie. He blinked. The tweezers touched the paper. The moment resumed its normal, quiet march."

In the passage, the author's manipulation of narrative pacing primarily serves to do which of the following?