Read the following passage carefully before choosing your answer:
"The final curtain fell to a silence so profound, so heavy with intellectual exhaustion, that I knew immediately we had shaken the town to its very core. Of course, the provincial rabble—accustomed as they are to the gaudy, brainless spectacles of the municipal amphitheater—could not immediately find their hands to applaud. Indeed, several patrons in the front row stood up and departed with hasty, erratic strides, their faces pale and eyes averted. My lead actor, a sensitive soul prone to bouts of amateurish self-doubt, later whimpered in the dressing room that they had fled in disgust. How typical of the uncultivated mind to mistake shock for revulsion! When the local chronicle printed its review the following morning, describing the production as 'an unmitigated disaster of pacing and volume,' I could only smile at their transparency. They simply lacked the vocabulary to articulate the terror of looking into the mirror my art provided. I have preserved the clipping in my scrapbook, not as a mark of shame, but as a monument to their collective defeat."
Which of the following best describes how the narrator's perspective bias shapes the account of the play's reception?
- The narrator reframes clear indicators of audience disapproval as proof of the production’s profound artistic impact.Cevap
- BThe narrator provides an objective account of the hostility that modern, innovative artists must endure in provincial settings.
- CThe author is criticizing the provincial audience's lack of sophistication and their inability to appreciate challenging theater.
- DThe narrator outlines the chronological sequence of events, starting from the final curtain to the publication of the review.
- EThe narrator is locked in a direct conflict with the lead actor, who is actively trying to sabotage the production.