Read the following excerpt from the English translation of the short story "You Don't Hear the Dogs Barking" ("No oyes ladrar los perros") by the Mexican writer Juan Rulfo:
"You who are up there, Ignacio, tell me if you can hear anything or see any light anywhere."
"I don't see anything."
"We must be getting close."
"Yes, but I don't hear anything."
"Look carefully."
"I don't see anything."
"Poor you, Ignacio."
The shadow of the long, dark figure of the men moved up and down, climbing over rocks, diminishing and growing as it crossed the edge of the stream. It was a single, staggering shadow. The moon rose from the earth like a round, red flare.
"We should be arriving at that town, Ignacio. You, with your ears uncovered, try to hear if dogs are barking. Remember they told us Tonaya was just beyond the mountain, and we crossed the mountain hours ago. Remember, Ignacio?"
"Yes, but I don't see any sign of it."
"I am getting tired."
"Put me down."
The father spoke in a low voice. He walked slowly, his body bent forward, under the heavy weight of his son, whose hands were locked around his neck, and whose feet clung to his waist.
Which of the following best describes how the author uses point of view and narrative focus in this passage to develop the characters' relationship?
- ABy focusing on Ignacio's dialogue, the author reveals that the son refuses to help locate the town because he actively wishes to sabotage their journey.
- BBy adopting an ominous and fearful narrative tone, the author seeks to condemn the father's decision to carry his son through the dangerous mountains.
- By using a third-person narrative that emphasizes the father's grueling physical effort alongside their sparse dialogue, the author highlights the painful contrast between their physical connection and their emotional estrangement.Cevap
- DBy describing the 'single, staggering shadow' crossing the stream, the author indicates that a literal third entity is following the characters.