Read the following transcript excerpt from an oral presentation delivered by an ethnomusicologist:
"While large-scale digitization initiatives are frequently celebrated as democratic triumphs that rescue endangered sonic heritage from physical decay, we must interrogate the subtle violence of decontextualization. Placing sacred communal recordings onto open-access streaming platforms strips these songs of their ceremonial protocols and collective stewardship, effectively reducing ritual traditions to algorithmic commodities for passive global consumption. Preservation without local sovereignty is merely a modern iteration of cultural extraction, regardless of the well-intentioned rhetoric surrounding universal access."
Based on the excerpt, which of the following statements best characterizes the speaker's perspective regarding open-access digital sound archives?
- AThe speaker is celebratory and optimistic about how international streaming platforms eliminate historical barriers to cultural materials.
- BThe speaker is convinced that indigenous oral expressions are fundamentally incompatible with modern recording media and should remain entirely unrecorded.
- The speaker is sharply critical of unrestricted digital dissemination that commodifies sacred traditions without community sovereignty.Cevap
- DThe speaker is primarily concerned with the chemical deterioration and physical preservation challenges of analog audio storage.