In the mid-nineteenth century, the advent of photography provoked a crisis among portrait painters. For centuries, painting had been the primary means of capturing a realistic physical likeness of individuals for posterity. However, early cameras, despite their cumbersome nature and lengthy exposure times, could produce an undeniable exactitude of physical representation that no painter's brush could match. Consequently, many portrait painters recognized that attempting to compete with the camera on the grounds of strict, objective realism was futile. Instead, they began to explore
Which one of the following most logically completes the passage?
- subjective interpretations and emotional depth, utilizing the medium of paint to express inner realities that a mechanical device could not capture.Cevap
- Bnew techniques and specialized brushes designed to achieve an even higher degree of undeniable exactitude in their realistic portraits.
- Cthe commercial viability of camera manufacturing, investing heavily in the new technology to offset their declining painting revenues.
- Dentirely abstract forms of art, completely abandoning any attempt to represent the human figure in their future compositions.
- Ethe mechanical limitations of photography, focusing their efforts on developing smaller, less cumbersome cameras with shorter exposure times.
Cevap
The most logical continuation is that painters shifted their focus to subjective interpretations and emotional depth, aspects a mechanical device could not capture.
The correct answer logically resolves the tension established in the paragraph. The passage builds an argument: cameras are better at exact realism; therefore, painters realize competing on realism is futile. The word 'Instead' signals a pivot. If painters cannot compete on objective realism, the logical next step for their art is to focus on what the camera cannot do—namely, capture subjective interpretations, emotion, and inner essence.
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Logical Continuations in Argumentative Texts