In her seminal 1978 essay, literary theorist Sandra Gilbert examined how nineteenth-century women writers navigated a male-dominated literary landscape. [1] Gilbert argued that these authors often employed a "double-voiced discourse," layering subversive themes beneath seemingly conventional plots. This narrative strategy allowed them to appeal to mainstream publishers while simultaneously communicating a critique of patriarchal structures to receptive readers. Charlotte Brontë’s novel *Jane Eyre*, for instance, features a madwoman in the attic who serves as a dark double for the docile protagonist.
The writer is considering adding the following sentence to the passage at [1]:
"Many nineteenth-century publishers were hesitant to print works that openly challenged domestic expectations of women."
Should the writer make this addition?
- AYes, because it establishes that nineteenth-century publishers were the primary target audience for Sandra Gilbert's literary theory.
- Yes, because it provides historical context that clarifies the necessity of the "double-voiced discourse" mentioned in the paragraph.Answer
- CNo, because it interrupts the flow of the paragraph by introducing an irrelevant detail about the publishing industry.
- DNo, because it contradicts the passage's claim that women writers were able to successfully communicate critiques of patriarchal structures.