The following passage is adapted from an essay on the history of architectural acoustics:
In the autumn of 1895, Harvard University officials asked Wallace Clement Sabine, a thirty-eight-year-old assistant professor of physics, to solve a severe acoustical flaw in the lecture hall of the university's newly completed Fogg Art Museum. Speakers in the room found their words rendered unintelligible by an overwhelming echo that lingered for over five seconds. Armed with little more than a set of gemshorn organ pipes, a stopwatch, and his own sharp hearing, Sabine set out to quantify the behavior of sound within enclosed spaces.
Sabine hypothesized that the excessive duration of sound persistence—what he termed reverberation time—was directly related to the sound-absorbing capacity of the materials lining the room. To test this, he needed a standardized sound absorber. Sabine turned to the upholstered cushions in the auditorium of the nearby Sanders Theatre. Night after night, after campus activities concluded, Sabine and his assistants manually transported hundreds of cushions from Sanders Theatre into the Fogg lecture hall. By measuring the reverberation time after adding incremental lengths of cushion along the hall's hard pine benches, Sabine calculated the exact absorption coefficient of the cushion fabric and horsehair filling.
His meticulous experiments revealed that reverberation time was directly proportional to room volume and inversely proportional to total acoustic absorption. Sabine expressed this relationship in a concise mathematical formula, establishing architectural acoustics as a rigorous quantitative science. Impressed by his findings, the architectural firm McKim, Mead & White engaged Sabine in 1898 to serve as the acoustic consultant for the design of the new Boston Symphony Hall. Rejecting the prevailing fan-shaped auditorium trends of the era, Sabine recommended a traditional rectangular 'shoebox' layout with shallow balconies and heavy wall statues to diffuse sound. When Boston Symphony Hall opened on October 15, 1900, its acoustic clarity was hailed worldwide, cementing Sabine's empirical approach as the cornerstone of modern hall design.
Based on the passage, evaluate whether the following statement is True or False:
Wallace Clement Sabine borrowed upholstered cushions from Sanders Theatre to measure how absorbing materials affected reverberation time in the Fogg Art Museum's lecture hall.
Answer: Answer