Passage:
The Renaissance saw a technical divergence between two wall-painting techniques: buon fresco (true fresco) and fresco secco (dry fresco). Buon fresco required the artist to apply pigment mixed with water directly onto wet, freshly laid lime plaster. Through a chemical reaction known as carbonation, the pigment particles became chemically locked within the curing plaster, making the painting an integral part of the wall itself. This process demanded rapid execution because the painting had to be completed before the plaster dried. Fresco secco, by contrast, involved applying pigments mixed with an organic binder (such as egg or glue) onto dry, cured plaster. While fresco secco allowed for a broader range of pigments and a more leisurely pace, it lacked the durability of buon fresco, as the paint layer remained a superficial crust susceptible to flaking over time.
Based on the passage, how does the integration of pigments in buon fresco explicitly contrast with that of fresco secco?
- Buon fresco pigments are mixed with water and become chemically locked within wet plaster, whereas fresco secco pigments are mixed with an organic binder to form a surface layer on dry plaster.Answer
- BBuon fresco pigments rely on an organic binder to adhere to the plaster, whereas fresco secco pigments are integrated into wet plaster through the process of carbonation.
- CBuon fresco pigments form a superficial crust that is chemically locked over time, whereas fresco secco pigments are absorbed beneath dry plaster during execution.
- DBuon fresco pigments remain highly susceptible to flaking due to rapid execution, whereas fresco secco pigments achieve lasting durability on cured walls.