When Helena Vance finally published her biography of the composer Julian Cole in 1998, critics hailed it as a masterpiece of archival research. Vance’s journey, however, had begun a decade earlier in Vienna, where she stumbled upon a cache of Cole’s lost letters. At the time, she was still completing her doctoral dissertation on nineteenth-century music theory, a project she would abandon shortly after her discovery to dedicate herself to Cole’s biography. During her final months in Vienna in the winter of 1989, she drafted the central thesis of her book and initiated contact with Cole's estranged nephew, Arthur, who initially refused to cooperate. It was only after Vance published a short monograph on Cole’s early sonatas in 1992 that Arthur relented, granting her access to Cole’s private diaries. The insights from these diaries subsequently forced Vance to revise the central thesis she had drafted years earlier.
According to the passage, which of the following events occurred after Vance published her monograph on Cole's sonatas but before she published Cole's biography?
- AShe initiated contact with Cole's nephew.
- BShe drafted the central thesis of her biography.
- She obtained access to Cole’s private diaries.Answer
- DShe abandoned her doctoral dissertation.