Following the Stono Rebellion of 1739, South Carolina passed the Negro Act of 1740, which banned enslaved people from using drums, horns, and other loud instruments that could be used for signaling. Which of the following best describes how enslaved African Americans responded to this legal restriction while maintaining their West African cultural traditions?
- AThey established independent, self-governing maroon communities in the nearby swamps to continue playing traditional drums openly.
- They developed body percussion techniques, such as patting juba, and used everyday work tools to preserve complex polyrhythms.Answer
- CThey completely abandoned their rhythmic practices and adopted European choral music to show compliance and avoid physical punishment.
- DThey converted their traditional drumming patterns into silent prayer circles to worship animistic spirits, replacing their social music with purely spiritual rituals.
Answer
Enslaved African Americans developed body percussion techniques, such as patting juba, and used everyday work tools to preserve complex polyrhythms.
The correct answer is correct because when colonial laws like the Negro Act of 1740 banned drums and other instruments, enslaved people adapted by using their own bodies as instruments (such as patting juba, clapping, and foot-stomping) and utilizing tools to preserve West African polyrhythmic traditions.
Step-by-Step Solution
Key Concept
Everyday Resistance and Cultural Retention
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