Read the following excerpt from Countee Cullen's poem "Yet Do I Marvel" (1925):
> I doubt not God is good, well-meaning, kind,
> And did He stoop to shoulder solemn least
> Of singing birds, or tell the caterpillar why
> The food he eats is juice to butterfly...
> Yet do I marvel at this curious thing:
> To make a poet black, and bid him sing!
How does the paradox in the final two lines of the excerpt reflect a central tension of the New Negro Movement?
- AThe promotion of Marcus Garvey’s mass nationalist platform, which argued that Black artists must cease writing for American audiences and immediately emigrate to Africa to establish a separate nation.
- The struggle of Black intellectuals and artists to assert their creative genius and humanity while navigating a society that systemically devalued their identity.Answer
- CThe endorsement of Booker T. Washington’s philosophy of racial uplift, which advocated for abandoning high art and academic pursuits in favor of agricultural and industrial labor.
- DThe claim that systemic discrimination against Black writers was exclusively a southern de jure phenomenon, rendering the northern urban literary market entirely meritocratic and free of prejudice.
Answer
The struggle of Black intellectuals and artists to assert their creative genius and humanity while navigating a society that systemically devalued their identity.
The correct option identifies the core paradox of the poem—the coexistence of divine creative inspiration and the daily realities of racial oppression. This aligns with the New Negro Movement's focus on reclaiming dignity, intellect, and self-expression in a hostile environment.
Step-by-Step Solution
Key Concept
The artistic and intellectual tension of expressing Black humanity during the Harlem Renaissance