Read the following excerpt from Countee Cullen's poem "Yet Do I Marvel" (1925):
"I doubt not God is good, well-meaning, kind,
And did He stoop to quibble could tell why
The little buried mole continues blind,
Why flesh that mirrors Him must some day die,
...
Yet do I marvel at this curious thing:
To make a poet black, and bid him sing!"
Which of the following best describes the central tension that Cullen highlights in the final two lines of the excerpt?
- The paradox of experiencing a creative, artistic calling while living in a society that systematically devalues Black humanity.Answer
- BThe direct ideological conflict between Booker T. Washington's focus on industrial education and W.E.B. Du Bois's defense of the 'Talented Tenth.'
- CThe geographic and economic challenges faced by Black artists trying to relocate from the rural South to Northern cities during the Great Migration.
- DThe debate over whether Black intellectuals should pursue cultural integration in the United States or support Marcus Garvey's emigrationist movement.
Answer
The paradox of experiencing a creative, artistic calling while living in a society that systematically devalues Black humanity.
The correct option is correct because the final couplet of Countee Cullen's 'Yet Do I Marvel' expresses the profound paradox of being a Black artist who feels a divine, creative urge to write ('bid him sing') while living in a racialized society that denies Black equality and devalues Black humanity ('To make a poet black'). This capture of double consciousness and creative agency under oppression was a defining theme of the Harlem Renaissance.
Step-by-Step Solution
Key Concept
The Harlem Renaissance and the New Negro Movement