Read the following excerpt from Thomas Hardy’s poem "The Ruined Maid" (1901) carefully.
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty?" —
"O didn't you know I'd been ruined?" said she.
— "You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three!" —
"Yes: that's how we dress when we're ruined," said she.
— "At home in the barton you said 'thee' and 'thou,'
And 'thik oon,' and 'theäs oon,' and 'tother'; but now
Your talking quite fits 'ee for high compa-ny!" —
"Some polish is gained with one's ruin," said she.
Which of the following best describes how the relationship between the speaker’s voice and the authorial tone functions in the passage?
- AThe speaker’s pride in her new appearance directly conveys the author’s sincere promotion of urbanization and modern fashion as means of female empowerment.
- BThe speaker’s flat, matter-of-fact replies indicate a sense of grief and psychological dissociation, reinforcing a tragic and moralizing authorial tone.
- The speaker’s nonchalant, repetitive responses contrast with the author's underlying satirical tone, exposing the hypocrisy of a society where social elevation requires moral compromise.Answer
- DThe rustic interlocutor's envious voice represents the author’s personal disillusionment with country life and his desire to escape to London.
- EThe contrast between the colloquial dialect of the rural friend and the polished speech of the town speaker serves purely to label their different social classes without commenting on Victorian morality.