Read the following lines from John Keats’s poem "Ode on a Grecian Urn" (1819):
1 Who are these coming to the sacrifice?
2 To what green altar, O mysterious priest,
3 Lead'st thou that heifer lowing at the skies,
4 And all her silken flanks with garlands drest?
5 What little town by river or sea shore,
6 Or mountain-built with peaceful citadel,
7 Is emptied of this folk, this pious morn?
8 And, little town, thy streets for evermore
9 Will silent be; and not a soul to tell
10 Why thou art desolate, can e'er return.
In lines 8–10 ("And, little town . . . e'er return"), which of the following best describes the effect of the syntactical structure of the clause "and not a soul to tell / Why thou art desolate, can e'er return"?
- AIt uses enjambment to split the clause into two grammatically complete sentences, suggesting that the silence of the town is independent of the citizens' ability to return.
- It separates the subject from its verb with an intervening description of the town's mystery, delaying the resolution of the sentence to underscore the permanence of the citizens' absence.Answer
- CIt treats 'desolate' as the direct object of the verb 'return', indicating that the speaker intends to physically occupy the abandoned space.
- DIt employs personification in 'soul' and metrical inversion to create a musical cadence, prioritizing formal decoration over thematic development.
- EIt reflects Keats’s biographical sorrow over his own impending mortality by using first-person syntax to speak directly to the readers.