Read the following passage carefully before choosing your answer.
Harriet polished the heavy brass collar of the lens with a steady, circular motion, her breath condensing in a brief, grey cloud on the cold glass. Below the tower, the sea churned against the black rocks of the spit, a restless beast she had watched for forty years. Her father had kept the light before her, his life measured by the clockwork mechanism that turned the heavy prism. Now, the brass was hers, the silence was hers, and the infinite water was hers. When the mail boat arrived from the mainland, the young clerk had spoken to her with a loud, slow enunciation, as if she were made of the same salt-crusted stone as the cliffs. She had not corrected him. Let him think her deaf, or simple, or frozen in time; it spared her the burden of his news. She preferred the clean, predictable rotation of the light, the sweep of the beam across the dark waves, which asked nothing of her but her vigilance. Yet, as she watched the distant shoreline fade into the evening fog, a strange, small tremor in her hand smudged the clean brass, a tiny blemish in her otherwise perfect sphere of isolation.
Which of the following best describes the primary narrative function of the third-person limited point of view in the passage?
- Adocument the daily duties of a lighthouse keeper, emphasizing the physical labor required to maintain the light.
- Bvalidate the young clerk’s assessment by demonstrating that Harriet’s long isolation has rendered her simple and unfeeling.
- contrast Harriet’s deliberate emotional withdrawal with the patronizing assumptions of external observers.Answer
- Dexpress the author’s own philosophical conviction that absolute isolation is the only path to spiritual clarity.
- Edepict a moral conflict between a virtuous protagonist and an antagonistic mainland clerk.