Read the following passage from Act III of Henrik Ibsen's play *A Doll's House* (1879).
"NORA: I mean that I was simply transferred from papa's hands to yours. You arranged everything according to your taste, and so I got the same tastes as you; or else I pretended to, I am not quite sure which—perhaps more of one and less of the other. When I look back on it, it seems to me as if I had been living here like a poor woman—just from hand to mouth. I have existed merely to perform tricks for you, Torvald. But you would have it so. You and papa have committed a great sin against me. It is your fault that I have made nothing of my life."
Which of the following conflicts is most clearly highlighted by Nora’s assertion that she has existed "merely to perform tricks"?
- AA simple moral struggle between Torvald's villainy and her own pure victimhood
- BThe physical transition from her father’s wealth to her current state of financial poverty
- The tension between her external conformity to societal expectations and her internal desire for self-determinationAnswer
- DThe clash between her marital duties and the author’s direct commentary advocating for female rebellion
- EThe contrast between her flighty, superficial nature and Torvald's role as a patient, stabilizing partner