Read the following passage carefully:
Margaret worked under the green-shaded lamp, her needle threading a strand of indigo wool through the frayed edges of the medieval tapestry. The depicted hunter, his spear forever raised toward a faded stag, had occupied her mind for three weeks. In the dim silence of the conservation lab, the tapestry ceased to be a mere relic of the fourteenth century; it became a landscape she inhabited. She felt the chill of the woven forest, the silent tension of the hounds, and the heavy sorrow of the hunter whose pursuit would never conclude. Outside, the modern city rattled with the clamor of streetcars and the impatient shouts of vendors, but to Margaret, those sounds were distant, inconsequential static. The true world lay in the wool beneath her fingers. When the laboratory door clicked open and Dr. Halloway stepped in, bringing with him the smell of damp coats and fresh rain, Margaret did not look up immediately. She waited for the hunter’s spear to settle back into its two-dimensional stillness, resisting the sudden, jarring re-entry into a century she found far less coherent than her own.
Which of the following best describes the function of the third-person limited point of view in the passage?
- AIt serves to convey the author's personal critique of early twentieth-century urbanization and industrial noise.
- BIt chronicles the sequential actions Margaret takes to repair the medieval tapestry before Dr. Halloway interrupts her work.
- It limits the narrative focus to Margaret's inner thoughts and sensations, emphasizing her profound immersion in the tapestry as a refuge from the modern world.Answer
- DIt reveals that Margaret is an unreliable observer whose sensory illusions prevent her from recognizing Dr. Halloway's authority.
- EIt highlights a sharp ideological conflict between Margaret's devotion to art and Dr. Halloway's scientific indifference to the past.