Read the following passage carefully:
"The clock in the hall chimed seven, its metallic ring vibrating through the floorboards of the drawing-room where Julian sat. Across the room, his cousins were clustered around the piano, their laughter rising in bright, overlapping waves that seemed to stop just short of his armchair. He watched the way Clara’s fingers hovered over the keys—not playing, but mimicking the motions of a sonata she had long forgotten. She looked happy, or at least she performed happiness with a practiced ease that Julian found both exhausting and deeply enviable. A log popped in the fireplace, sending a brief shower of orange sparks against the mesh screen. No one turned. The room was warm, smelling of pine needles and damp wool, yet Julian felt as though he were viewing the scene through a thick pane of glass. He could see the warmth, could catalog the amber light resting on the velvet cushions and the grease smudges on the teacups, but the sensations themselves remained entirely out of reach."
Which of the following best describes the literary function of the close narrative distance established through Julian's third-person limited perspective?
- AIt directly voices the author’s critique of early-twentieth-century familial conventions and superficiality.
- BIt establishes Julian as an unreliable narrator whose descriptions of the room cannot be trusted as accurate.
- CIt highlights how the physical layout and literal warmth of the drawing-room prevent Julian from interacting with his cousins.
- It emphasizes Julian's profound sense of emotional detachment and psychological isolation from the domestic scene.Answer
- EIt tracks the chronological sequence of events to show how the family’s performance of the sonata breaks down over time.