Read the following passage carefully:
Beatrice adjusted the copper terminal of the receiver, her fingers stained with the faint, metallic grey of lead-pencil dust. To the managers in the front office, the metallic tapping of the telegraph was a ledger of transactions, a dry inventory of shipping freights and market closures. But Beatrice heard in the erratic rhythms a frantic, collective stammering of the world outside the brick walls. A sudden flurry of high-pitched clicks from the line meant a birth in Bristol; a long, hesitant pause before a reply suggested a clerk in London checking his ledger with trembling hands. She felt herself a silent confidante to a thousand unseen lives, a vital link in an invisible web of human intimacy. Yet, the small window of the office looked out only onto a soot-choked alley where a single drayman stood coaxing a stubborn horse. The clacking resumed, sharp and indifferent, demanding her pen. She translated the signals onto the clean telegraph blanks, her hand moving with a mechanical precision that belied the feverish dramas she constructed for each anonymous sender.
The third-person limited point of view in the passage serves primarily to do which of the following?
- Aexpress the author's critique of the industrialization that alienated late-nineteenth-century workers
- Brecount the sequence of Beatrice's work duties and her interactions with the managers in the front office
- reveal how the protagonist's rich inner life contrasts with the physical isolation of her working environmentAnswer
- Destablish Beatrice as an authoritative and objective observer of the lives of the telegraph senders
- Edramatize a hostile conflict between Beatrice's artistic sensibilities and her managers' commercial demands