Read the following poem by W. B. Yeats (1865–1939), published in 1890:
The Lake Isle of Innisfree
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.
In the final stanza, how does the transition in setting from the idealized island of Innisfree to the "roadway" and "pavements grey" contribute to the thematic argument of the poem?
- AIt indicates that the speaker's peaceful contemplation has turned to complete despair, suggesting that the city's presence has permanently destroyed the speaker's memory of nature.
- BIt serves to document W. B. Yeats's own biographical movement from his youth in County Sligo to his later professional life in London.
- It develops the argument that the desire for spiritual tranquility is an enduring internal state that sustains the speaker even when physically surrounded by an urban landscape.Answer
- DIt highlights the use of alliteration in 'lake water lapping' and 'low sounds' to draw attention to the formal musical techniques employed by the poet.
- EIt suggests that the line break after 'pavements grey' represents a literal physical barrier that permanently separates the speaker from the natural world.