Read the following translated excerpt from the short story 'Chac Mool' (1954) by the Mexican author Carlos Fuentes:
"I finally bought the Chac Mool. I put it in the basement, where it would not disturb anyone. It is a wet, dark basement, with no ventilation, which I rarely visit. Yet, tonight, I heard a strange, deep breathing coming from the lower stairs. I convinced myself it was the humidity or the old pipes of the house. But when I went down this morning, the plaster of the statue felt strangely soft, almost like human flesh. There was a smell of damp earth and ancient moss in the air, a scent that does not belong in a modern house in Mexico City. I realized that the ancient deity, long buried and forgotten under layers of modern progress, was beginning to wake up in the dark, claiming a space that my rational mind wanted to deny it."
Based on the excerpt, how does the setting of the damp basement reflect the historical and cultural tension in mid-twentieth-century Mexican society?
- It symbolizes the marginalization of Mexico's indigenous heritage by a modern, progress-oriented society, while suggesting that this past remains an active and irrepressible force.Answer
- BIt demonstrates the mid-twentieth-century focus on scientific preservation and archaeological curation of pre-Columbian artifacts.
- CIt shows Filiberto's deep, personal devotion to practicing ancient Mayan religious rituals in secret to escape his bureaucratic job.
- DIt indicates that the story's timeline has shifted into a flashback, showing how the statue was originally carved by Mayan priests.