Read the following English translation of an excerpt from a contemporary short story set in Antigua, Guatemala:
For three months, Sofía had sat on the wooden scaffolding of the Cathedral of San José, carefully scraping away layers of lime and dust. Underneath the whitewash of centuries, she sought the original sixteenth-century fresco of a winged angel. Her colleagues urged her to use modern chemical solvents to speed up the restoration, but Sofía insisted on using a small scalpel, working millimeter by millimeter. To her, each layer of plaster she removed was not just dirt, but the physical accumulation of earthquakes, volcanic ash, and political changes that the city had survived. When a corner of the angel’s blue robe finally emerged, it was not the brilliant, untouched paint her supervisors expected, but a surface weathered and cracked by time. Sofía smiled, realizing that the beauty of the mural did not lie in restoring it to a pristine state, but in preserving the scars of its survival.
Based on Sofía's experience during the restoration, which of the following best expresses the central theme of the passage?
- AThe superiority of traditional manual techniques over modern chemical methods in the field of art restoration.
- BSofía’s frustration with her colleagues and supervisors who do not appreciate the historical significance of the cathedral.
- The preservation of historical identity requires embracing the imperfections and trials of the past rather than erasing them in search of an idealized perfection.Answer
- DThe tragic inevitability that natural disasters will eventually destroy Guatemala's colonial architecture.